{"id":2315,"date":"2026-09-15T01:53:18","date_gmt":"2026-09-14T17:53:18","guid":{"rendered":"https:\/\/zlab.site\/?page_id=2315"},"modified":"2026-09-15T01:56:56","modified_gmt":"2026-09-14T17:56:56","slug":"kintsugi_exhibition","status":"publish","type":"page","link":"https:\/\/zlab.site\/zh_hk\/kintsugi_exhibition\/","title":{"rendered":"kintsugi"},"content":{"rendered":"
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Venerate\uff0eRedeem\uff0eReborn <\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t
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TO Yeuk\u2019s Journey into Kintsugi <\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In the days of material scarcity, the norm was to wear an item \"new for three \nyears, old for three years, and mended for another three.\" \nThe philosophy behind the art of metal staple\u2014repairing broken ceramics with \nMetal staples\u2014is simply to \"let daily life go on.\" Kintsugi does not conceal scars. Confronting the reality that life is impermanent, imperfect, and transient, \nit instead embraces the cracks with lines of brilliant pure gold \u2014 acknowledging that the object was once broken yet remains precious, and viewing the damage as a \"turning point\" in the vessel's life story rather than an \"end.\" Yobitsugi breathes new life into two previously unrelated vessels by uniting them within a single piece of pottery. It boldly incorporates fragments of different materials and patterns\u2014sourced from elsewhere\u2014 to mend its own imperfections.
\nThrough his Kintsugi works, TO Yeuk offers the public a sincere source of \nspiritual inspiration. The exhibition centers on showcasing the dynamic process \nof Kintsugi restoration; it is not merely a display of physical craftsmanship, but \nalso a profound exploration of traditional techniques and natural materials by \nthe artist. \n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In the exhibition, you will see...
\n\u2027 The Inclusivity of Lacquer Art: How natural lacquer serves as a resilient \nfoundation for the rebirth of objects. It is the \"universal adhesive\" that has \nbeen used in China for millennia.
\n\u2027 The Serenity of Kintsugi: Embracing the cracks and transforming life\u2019s regrets \ninto the evocative aesthetic of wabi-sabi.
\n\u2027 The sublimation of Maki-e: within the fissures of the damage, exquisite \npatterns are created not only through the sprinkling of gold and silver but also \nthrough delicate embellishments painted in colored lacquer.

\nExhibition\uff1a19\/09~08\/11\/2026 (Closed on Monday)
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TO Yeuk's Biography<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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She has been engaged in performance art and creative practice since the 1990s and requently traveled to countries across Europe and Asia for artistic exchanges, serves as a key figure in local art groups and as a curator of performance art events. Founder of the performance art collective \"The Originals,\" they have long promoted performance art in Hong Kong and frequently curated international exchange events in the field. In recent years, they have focused on the study of Kintsugi and lacquer art, traveling to Taiwan to master techniques such as Kintsugi, mother-of-pearl inlay (Raden), and gold inlay (Chinkin), thereby deepening and broadening the artistic dimensions through traditional lacquer craftsmanship. <\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Conceptual Work: \"Longevity and \nProsperity\" <\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Materials : Raw lacquer \/ Wheat flour \/ \nElectroplated metal chain\/ Porcelain vessel
\nDimensions: 38 x 18 x 16cm
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Materials : Lacquer, eggshell, silver \npowder, lightweight wood
\nDimensions : 19 x 3 cm
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High-relief Maki-e \u2014 Chili Dish <\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Materials : Light weight wood \/ Lacquer finish
\nDimensions : 19 x 3cm
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Mother-of-pearl inlaid water cup <\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Material : Wheat flour \/ Raw lacquer \/ Shell \n\/ Silver powder \/ Edible \n
Dimensions : 8 x 10cm \n
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Venerate\uff0eRedeem\uff0eReborn about the exhibition TO Yeuk\u2019s Journey into Kintsugi In the days of material scarcity, the norm was to wear an item “new for three years, old for three years, and mended for another three.” The philosophy behind the art of metal staple\u2014repairing broken ceramics with Metal staples\u2014is simply to “let daily life go on.” […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"saved_in_kubio":false,"_gspb_post_css":"","_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-2315","page","type-page","status-publish","hentry"],"kubio_ai_page_context":{"short_desc":"","purpose":"general"},"_links":{"self":[{"href":"https:\/\/zlab.site\/zh_hk\/wp-json\/wp\/v2\/pages\/2315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zlab.site\/zh_hk\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zlab.site\/zh_hk\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zlab.site\/zh_hk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zlab.site\/zh_hk\/wp-json\/wp\/v2\/comments?post=2315"}],"version-history":[{"count":10,"href":"https:\/\/zlab.site\/zh_hk\/wp-json\/wp\/v2\/pages\/2315\/revisions"}],"predecessor-version":[{"id":2326,"href":"https:\/\/zlab.site\/zh_hk\/wp-json\/wp\/v2\/pages\/2315\/revisions\/2326"}],"wp:attachment":[{"href":"https:\/\/zlab.site\/zh_hk\/wp-json\/wp\/v2\/media?parent=2315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}